Alban Low's second sculpture, I would prefer a fair trial, under the shadow of the noose, is skulking in Whiting Street, words by Amilia Graham and Tim Welton.
I have seen the weird animals
and the little white flowers
with divine appendages
In the whites of the eyes-
I have seen them in your eyes.
Hold them inside, under the skin.
Let them in.
In the land of Cockaigne
The triple towers of Mammon
Rise to the clouds
From roots in grow-bags
Of corporate snow
From their lofty penthouse
At pavement trash
In the shadow of the noose
Chattering like parrots
Trade weightless pounds
At the speed of electrons
Ignoring the dull cries of
Feeding from the same trough
Ones and zeros
Side by side
High flyers and street bums
Drop a dot and slide down
The smoking chimneys pots
From skyscraper to street
The climb is slower than the descent
But one end to the other
Is just a step away
Alban Low is involved in many creative projects including album artwork, publishing chapbooks, making films, maps, conceptual exhibitions, live performance and good old drawing. He is artist-in-residence at the School of Nursing, Faculty of Health, Social Care and Education at Kingston University and St George's University of London. Low spends his evenings in the jazz clubs of London where he captures the exhilaration of live performances in his sketchbook. This year he is working on a walking project about London Musicians from the 1920s-1940s. In 2018 he spent a week at grove with Kevin Acott where they published two chapbooks. See http://albanlow.com
Amilia Graham is interested in the way capitalism informs relationships between humans and nature. She works across all different mediums, but is primarily drawn to time-based practices such as writing and film. Her research draws from psychoanalysis, film theory, feminism and Marxism. She has completed a foundation in art and design at Central St Martins and will soon begin a degree in fine art and history of art at Goldsmiths. See www.amiliagraham.uk and Twitter @AmiliaGraham
Tim Welton is a theatre practitioner who, as an actor and director has worked on numerous productions including Light Shining in Buckinghamshire (Royal National Theatre) London Road (Royal National Theatre) Dancing at Lughnasa (Garrick Theatre) and Cabaret (Lyric and Savoy Theatre and National Tours).
He has written for theatre (Carnival UK) and online digital media (BBC Radio Jam) and is currently developing and writing new musical commissions with Three Pin Productions, the brainchild of West End Performer Ruthie Henshall and Musical Director Paul Schofield.
Chris Brown's intriguing collage has been left in a gap in the stonework in The Traverse. The response is by Ed Arantus.
Poppin' pills is the kowtow
Ride the hills we all know
Eat them on a Sunday
More again on Monday
Highs lowkey at the freak show
My Mum says it’s a no-no
But she’s just jumpin’ on her coco
We’re kickin', we’re shakin', more tremblin'
Don't be lost kin, cos’ we dyin', soon fryin'
Anything can happen at the freak show
High town, you got a big bung like a number one
It's freak night, one big freak show
If you feel like a roll, I found this place where
Poppin' pills is the love we know
Chris Brown is an artist and filmmaker. He has worked as an art therapist in the NHS and as a lecturer at Goldsmiths, University of London. He is currently a freelance clinical supervisor and an editor for ATOL: Art Therapy OnLine. See http://journals.gold.ac.uk/index.php/atol/index, https://vimeo.com/channels/theuncproj
Ed Arantus published his first work in the Censored Zine in 2010 and has exhibited his work ever since at venues like the Contemporary Arts Research Unit in Oxford and the Museum of Futures in Surbiton. Earlier this year he was a writer for the Love Tokens and Bad Pennies exhibition with CollectConnect. See http://edarantus.blogspot.com/ and witter @edarantus